Eight years after Blue Maqams, Anouar Brahem returns with a poignant
project, titled after a line of verse by poet Mahmoud Darwish, which
asks “Where should the birds fly, after the last sky?” Graceful chamber
pieces for oud, cello, piano and bass subtly address the metaphysical
question and its broad resonances in a troubled time. While drawing upon
the traditional modes of Arab music, Brahem has consistently sought to
engage with the wider world, too, and found inspiration in many sources
from different cultures. Bassist Dave Holland and pianist Django Bates
are again part of the Tunisian oud master’s international quartet,
joined now by cellist Anja Lechner. Brahem’s rapport with Holland –
first established on the Thimar album of 1998 – is meanwhile legendary.
“Dave’s playing gives me wings,” Anouar has said, an observation that
materializes repeatedly across the record. Django Bates’ piano, an
important supportive force throughout, contributes swirling solos. The
album marks the first time that Anouar has included a cellist in his
group music. Anja Lechner, a leading voice in the recording, has long
been conversant with Brahem’s compositions and included them in her own
recitals. The cello is given the first and last statements here. “After
the Last Sky” was recorded at Lugano’s Auditorio Stelio Molo RSI in May
2024, and produced by Manfred Eicher.
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